En sécurisant la région des Marches, Giorgia Meloni a consolidé la crédibilité de son gouvernement, en place depuis 2022.
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This deliverable of the project REBOOT (Kandyla, A., Turan P. and Vlassis, A. (Eds). (2025)) offers an overview and description of the structure and contents of the public database on ‘European Union (EU) laws and cross-national frameworks relevant to the European Film Industry (EFI)’. Developed within the framework of Work Package 3 (WP3) of the REBOOT project, the database is organised into three distinct sub-databases, each addressing key dimensions on the laws and policies governing the promotion of the EFI at the international level: the regulatory framework for filmmaking at the EU level and across EU member states; institutional and policy models across the EU Member States, and EU legal and policy instruments relevant to the internationalisation of the EFI. D3.6 is meant to act as a guide to these resources. It outlines the main types of information and data included in each sub-database and details the methodology employed in their compilation, including documentary sources, data collection structures, and other relevant information. The full sub-databases will be released as part of the ‘Film industry competitiveness dashboard’ (Task 6.2), which is scheduled to be submitted in November 2025. The dashboard will offer an online platform providing public access to both original data collected within the REBOOT project and existing statistics. It will enable visualisations and support future analysis of the evolving competitiveness of the European film industry.
The deliverable is structured in three parts as follows:
(1) Part 1 introduces the sub-database on ‘Multi-level mapping of the legal norms informing and regulating filmmaking in the European Union’. This sub-database reflects the scientific output of the research conducted under Task 3.1, led by Scuola Superiore Sant’Anna (hereinafter referred to as ‘SSSA’). It offers a detailed mapping of legal and policy instruments across multiple governance levels (international, supranational, regional, and national) that influence filmmaking in the EU. It covers an array of areas critical to the sector’s competitiveness, including cultural diversity, copyright, media law, and the protection of minors. Norms have been extracted from legal instruments issued by organisations such as UNESCO, WIPO, WTO, the Council of Europe, the EU, and selected Member States.
(2) Part 2 presents the sub-database on the ‘Promotion of the EFI at the international level: Institutional and policy models across the EU Member States’. This sub-database reflects the output of Task 3.4, led by the University of Liège (ULIEGE), which explored how public institutions and practices contribute to the international promotion of their national film industries and, by extension, of the broader EFI. The sub-data includes quantitative data and materials, offering a structured, accessible, and comparative resource. Drawing on extensive documentary research, interviews, and market data, it provides a comparative mapping of public support strategies, funding mechanisms, and the actors involved in promoting the EFI across EU Member States and abroad.
(3) Part 3 presents the sub-database on ‘EU legal and policy measures on the promotion of the EFI on the international scene’. Developed as part of research conducted by the Hellenic Foundation for European and Foreign Policy (ELIAMEP) under Task 3.5, it catalogues a range of agreements concerning trade facilitation and cooperation negotiated by the EU with third countries and regions, covering agreements that are currently in force, as well as agreements pending signature and ratification. It also covers selected EU funding instruments with relevance to the international promotion of European audiovisual works and audiovisual cooperation with third countries.
The deliverable is available here.
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